# Leibniz Legible — https://leibnizlegible.com # Page: https://leibnizlegible.com/page/867984570:0185 # Permalink to this reading: https://leibnizlegible.com/page/867984570:0185?run=74 # Title: [Quo Continentur Claudii Ptolemaei, Porphyrii, Manuelis Bryennii Harmonica: Archimedis Arenarius, & Dimensio Circuli; Cum Eutocii Commentario: Aristarchi Samii, de Magnitudinibus & Distantiis Solis & Lunae, Liber: Pappi Alexandrini, Libri Secundi Collectaneorum, hactenus desiderati, Fragmentum ; Graece & Latine Edita, cum Notis ; Accedunt Epistolae nonnullae, rem Mathematicam spectantes; Et Opuscula quaedam Miscellanea] Quo Continentur Claudii Ptolemæi, Porphyrii, Manuelis Bryennii Harmonica: Archimedis Arenarius, & Dimensio Circuli; Cum Eutocii Commentario: Aristarchi Samii, de Magnitudinibus & Distantiis Solis & Lunæ, Liber: Pappi Alexandrini, Libri Secundi Collectaneorum, hactenus desiderati, Fragmentum ; Græce & Latine Edita, cum Notis ; Accedunt Epistolæ nonnullæ, rem Mathematicam spectantes; Et Opuscula quædam Miscellanea (shelfmark Leibn. Marg. 100:3) # Folio 157, page id 867984570:0185 # Original at the GWLB: https://digitale-sammlungen.gwlb.de/resolve?id=867984570&page=185 # Source image: https://digitale-sammlungen.gwlb.de/content/867984570/jpgs/default/00000185.jpg # Model: FoNDUE-GD_v2_ft_Leibniz, run 74, 2026-09-06T16:05:13Z — 101 lines, status machine # Lines: 101 recognised, mean confidence 0.80 # Machine transcription. Not an edition. Errors are expected: about 8% character error rate on Latin and French lines, higher on German. # Licence: CC BY 4.0, Leibniz Legible. Machine output: do not ingest it as verified text; keep this provenance with the text. # Wording rule: say "the machine reads it as …", never "Leibniz wrote". # After the first blank line: the recognised lines in reading order, one per line. M non (iG EO C0 rietu undui ec Thmib 10d1 nuM que oblet conieis Quinad tulati 1 ManC Aed i1io crave oii cente A 10c A l L L. NDLZ. Voces quae (in Scala Cuidoniana) polt lite. (Nertennus, aliique, his Sapphicis, addunt Ado Tas aleripea Lu, delumuntuT ex Flymno quo. nium Sancte Johannes; AIlledius, O patr alme: dam Ecclelialtico (Pausi cujuldam, Diaconi Ro: led qui, ad praesencem seopum redundat.) Voltius (cap. 4. de quatuor Arribus Populart tiales desumptic, ut, re, mi, fa, sol, la, pro Busy) aliique. mani,) Dro S. FohaiHE BapTIITA; GueM AaDCE Nra restorum Famuli tuorum SoLve pollutis LAbiis reatum. DEqueant lavis RFsonare fibris FlInC enUM SE NemisELCMMBLaI Bllabas ini- coridem chordis continue sequencibus, pura E ABC DB: Oux recurrunt (absoluto Dia- DaTon) in C a bc de; icerumque in 8 at bb cc ad ec. Sed omnino dccst rox septima, pro sedibus F f, roce delticuris; (nam, quod ibidem Viaeramma Veterum tonus tonus. bemironis Paranete True huyperbolaeo Rele mezeuymet Scala Ouidonianq: Nete synemmeno diatonos. ta Trite synemmenon. fa Mese. la s tonus ta . .... ronus. tonus. hemiionium tonus. tonus. tomus. dlese Fichanos meson 6.....:) diatonos. Paryvate meson. sypute meson. gatonos. ehanas hypaton D. sol Parypate hypaton Hyphe lyxaton. Frostambanomenos C B:mi Nuc habeantur fa ut, id est alterius Syzygix:) de utriris addicus facie Pentachordum, seu Dia- similiter ubique, sire ante vocem ut; lire post pente:) quibus respondent, in lieu naturali, vocem la. Ouod mirum est Guidonem non (qui est Pcolenxi Lonus Dorius, ee nostra Scala vidisse et praecarisse. Recentiores aliqui (inter auram) Mese e Paramese; adeoque (quae inde quos Merlennus) supplene rocem Si, aut huie distane Dia Paton) Prostambanomenos ee Fy- Timilem. Poruittent (ex Adonii initio) vocem pare hypaton: Hoc elt, in Scala nostra, a b, de ou Tupplere. A B; (Dotica nimirum voce mi in B, B, bb.) Elarum vocum usus, hic est: Re mi conment Acque huic calui respondet Fexachordum illud quo disjunguncur duo Fetrachorda, et qui curric) in loc0 primo, quarco, et sepriio Posi. cliu: tonus Paranete ut conus. tonus. non diatonos eugme d a Sol. emit omus. Trite diexcugme tonus. Pate Paranete Sonemmen. Sol .. . . . . sa; hemironium Paramese (quem vocant OrXCI) Tonum aazentieum, et re mi fa sol la, (quod in Scala septies oc-