# Leibniz Legible — https://leibnizlegible.com
# Piece: https://leibnizlegible.com/api/records/42354/text
# Catalogue record: 42354 — [Henfling für L]: [Nachtrag zu 37041]
# Incipit: §.26. Verum Schema praecedens monstrat,
# Date: 1706-11-27
# Sender: Henfling — Addressee: Leibniz
# Other printings: Haase, Rudolf [Hrsg.]: Der Briefwechsel zwischen Leibniz und Conrad Henfling. Ein Beitr. zur Musiktheorie d. 17.Jh. Frankfurt a.M. 1982. S.95-97.
# Record in the Leibniz-Katalog: https://leibniz-katalog.bbaw.de/de/extended-search?id=42354&katnr=37050
# Work: https://leibnizlegible.com/work/DE-611-HS-970559
# Title: LBr. 390 · Henfling
# Folios: Bl. 29 (from the shelfmark LBr 390 Bl. 29): 2 pages, canvases 61–62, page ids DE-611-HS-970559:0061 to DE-611-HS-970559:0062
# Original at the GWLB: https://digitale-sammlungen.gwlb.de/resolve?id=DE-611-HS-970559&page=61
# Lines: 54 recognised on 2 of 2 pages, mean confidence 0.84
# Catalogue: Leibniz-Katalog / Arbeitskatalog der Leibniz-Edition (https://leibniz-katalog.bbaw.de/), ed. Arbeitsstelle Potsdam I der Berlin-Brandenburgischen Akademie der Wissenschaften, CC BY 4.0.
# Machine transcription. Not an edition. Errors are expected: about 8% character error rate on Latin and French lines, higher on German.
# Licence: CC BY 4.0, Leibniz Legible. Machine output: do not ingest it as verified text; keep this provenance with the text.
# Wording rule: say "the machine reads it as …", never "Leibniz wrote".
# After the first blank line, page by page: a "## Folio <label> — <page id>" line ("## Canvas <n>" where no folio label is recorded), "# " lines naming its source image and model, then its recognised lines in reading order, one per line.

## Folio 29r — DE-611-HS-970559:0061
# Source image: https://digitale-sammlungen.gwlb.de/content/DE-611-HS-970559/jpgs/default/00000061.jpg
# Model: FoNDUE-GD_v2_ft_Leibniz, run 239, 2026-09-10T12:00:39Z — 33 lines, status machine
ad Ejust 8NoV. 1706
6. 26. Verum Schema praecedens montrat, tem
e
peraturas ibi proporitas et hactenus explicatas
esse plenismias, necinter illas alios porse nume
ros inferciri, in quos diapas on aequaliter dictri
bui debeat. Sed hanc ob causami non porsum non
mentionem facere illius temperaturae, quae in
Diario Gallico Eruditorum Gallico ann: 1704
recenzetur subtitulo dystematis Generalis
Intervallorum, et ejuodem applicationis ad
Omma dystemata et fuctrumenta Muhica
etc. Abr enum beleberr: dicti hystemati
Autor diapas on in quadragnita tres partes
aequales dividit. Verum, quod cum venia doctis
e
simi Liri dixero, si harum partium septem tono
majori, sex tonommori, et quatuor diatonotu
duantur, vrta 4
3. partes diapason non poterum
inqredi. Diapason enim conctat 3. tonro majorii
yC
ens 2. minoritum ex
b
3 X C
L. diatonri. Atque
2 21, 
2X6 = 12, summa 4I.
24 8.
∞
ouabus igitur partibus, quae nac computandi
ratione chroma constiruum, diapason deficit.
a: e

## Folio 29v — DE-611-HS-970559:0062
# Source image: https://digitale-sammlungen.gwlb.de/content/DE-611-HS-970559/jpgs/default/00000062.jpg
# Model: FoNDUE-GD_v2_ft_Leibniz, run 239, 2026-09-10T12:00:39Z — 21 lines, status machine
Ne autem deficcat; opus est, ut major et minor
foni sibi aequiparentur, et tanc erunt:
Jonns, 7. partium,
Diatonum
Chroma, 3,
e
yperoche, 2)
Eschatom, X.
adedque ordominorum Hemitoniovum pervecte
tuu, umo ex quantitate poritiva, privativa, sive
II
minornihilofiet. Icho incommodii meditur
clar. vor, harumo partiun numerum augendo
usque ad 301. Verumena de his non Loquar, quia
numerum ehexcedunt. Qninquae hactenns
de 43. partibas dixi, sine rallo contradicendi
tudio dicta, atque ei saltem intellecta velim, quo
compntatio temperamentorum, quani a pri
mis originibus suis ordine deduxi, sarta tecta
conservetur.
27. Postremo non obiicere poterunt. etc